Born in New York City, 1958
Lives and works in New York City
Studied at University of California, Berkeley (B.A., 1983) and University of
California, Davis (M.F.A., 1987)
Artist's Statement:
In an ocean or a river, the surface undulates above and below an imaginary
plane, which delimits the water's volume. Every wave or ripple both gains and
loses energy, with potential energy at the wave's top, and kinetic energy at
the bottom. A record of this movement would recreate the virtual volume of the
water. Such a record would include small and large periods and amplitudes of
waves (lines) building and canceling to create undulations, choppiness, turbulence,
and irregularity. I try to create a virtual parallel of the constantly changing
structure, using large and small gestures, different speeds of lines, light
and reflected light, and changing directionalities. My work proposes a correlation
between the surface tension of the water and the tension between the picture
plane and deep space. Rather than creating a photographic picture of water,
I am interested in conveying both the virtual existence and physical presence
of moving water as it changes over time.
| Selected Recent Exhibitions | |
| 2000 | Contemporary American Drawings from the Sarah-Ann and Werner H. Kramarsky Collection, Pollock Gallery, Southern Methodist University, Texas |
| Deep Field Painting, Leubsforf Gallery, Hunter College, New York | |
| Galleri Magnus Åklundh, Lund, Sweden | |
| 1999 | Gallerie Rainer Borgemeister, Berlin |
| The Possibilities of the Line, Landesgalerie Oberosterreich, Linz, Austria | |
| New Voices, University of California, San Diego | |
| Cologne Art Fair, Galerie Benden and Klimczak | |
| Drawing Show, Kiang Gallery, Atlanta, Georgia | |
| Twelve Attitudes, Porter Troupe Gallery, San Diego, California | |
| Women and Geometric Abstraction, Pratt Institute Gallery, Brooklyn | |
| 1998 | Art on Paper 1998 |
| Weatherspoon Art Gallery, Greensboro, North Carolina | |
| Larry Becker Contemporary Art, Philadelphia, Pennsylvania | |
| A Slice of Apple, Ruth Bachofner Gallery, Los Angeles, California | |
| Open Salvo, White Box, New York City | |
| Original Scale, Apex Art, New York City | |
| 1997 | Drawing is another kind of language: Recent American Drawings from a New York Private Collection, Arthur M. Sackler Museum, Cambridge, Massachusetts |
| Invitational Exhibition, American Academy of Arts and Letters, New York City | |
| 1996 | New York Painting - Formal Abstraction, Ruth Bachofner Gallery, Santa Monica, California |
| American Abstract Artists, Keane College, New Jersey, and Westbeth Gallery, New York | |
Selected Awards |
|
| 1997 |
The Elizabeth Foundation for the Arts |
| 1991 | New York Foundation for the Arts Fellowship, Drawing |
| 1990 | The Pollack-Krasner Foundation Grant |
| 1989 | National Endowment for the Arts Fellowship, Works on Paper |
Selected Public Collections |
National Gallery of Art,
Washington, D.C.
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Last updated:
11/12/08